BEGIN:VCALENDAR VERSION:2.0 PRODID:-//jEvents 2.0 for Joomla//EN CALSCALE:GREGORIAN METHOD:PUBLISH BEGIN:VTIMEZONE TZID:America/New_York BEGIN:STANDARD DTSTART:20241103T010000 RDATE:20250309T030000 TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:America/New_York EST END:STANDARD BEGIN:STANDARD DTSTART:20251102T010000 RDATE:20260308T030000 TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:America/New_York EST END:STANDARD BEGIN:STANDARD DTSTART:20261101T010000 RDATE:20270314T030000 TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:America/New_York EST END:STANDARD BEGIN:DAYLIGHT DTSTART:20241027T163000 RDATE:20241103T010000 TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:America/New_York EDT END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20250309T030000 RDATE:20251102T010000 TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:America/New_York EDT END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20260308T030000 RDATE:20261101T010000 TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:America/New_York EDT END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:6a53c6573dcf2cb05bcb0b2df2264ca0 CATEGORIES:Culture and The Arts CREATED:20251021T110945 SUMMARY:Default - All That Remains: Poetry Reading and Art Talk LOCATION:Tyler Hall @ SUNY Oswego URL;VALUE=URI:https://iheartoswego.com/60038/all-that-remains-poetry-reading-and-art-talk .html?tmpl=component DESCRIPTION:Using the title All that Remains as a jumping off point, poets will reflect on the constant work of assembling coherence from fragments. Following the recitation Christopher McEvoy will talk about his painting practice and ho w he assembles meaning using visual fragments.\n\nAll That Remains features artwork by two SUNY Oswego art faculty members, Peter Cardone and Christop her McEvoy. While each artist explores themes of slippage, memories, and th e push pull of reality, their artworks engage these concepts in very differ ent ways.\n\nCardone’s photographic series depicts the Lighthouse at the H. Lee Maritime Museum and scenes of Lake Ontario. The images of the Lighthou se are devoid of people or living things. They feature liminal interior spa ces with views of the lake shown through another frame such as a door or a window. Other works look down on the water from a higher vantage point fram ing the view with bits of roof, gutter, and railings. Cardone says, “The ph otographs simultaneously generate feelings of presence and absence. Standin g by the water, I feel grounded in a particular place and time. Yet, as I l ook out, I am untethered from the present, tracing the water’s path to memo ries of other lakes, oceans, places, and people.”\n\nChristopher McEvoy’s a bstracted paintings inhabit the gap between perception and imagination. His large paintings are heavily layered with organic and geometric components. These forms overlap, fuses, and create conflicting linear perspective. Thi s evokes a feeling of falling apart and coming together simultaneously. McE voy says, “These aren't paintings about confusion but consciousness. In fra ctured moments and invented landscapes, I witness my own daily negotiations with meaning—the constant work of assembling coherence from fragments.” Th is event was imported from: https://iheartoswego.com/60038/all-that-remains -poetry-reading-and-art-talk.html?tmpl=component (https://iheartoswego.com/ 60038/all-that-remains-poetry-reading-and-art-talk.html?tmpl=component) X-ALT-DESC;FMTTYPE=text/html:Using the title All that Remains as a jumping off point, poets will reflect on the constant work of assembling coherence from fragments. Following the recitation Christopher McEvoy will talk about his painting practice and ho w he assembles meaning using visual fragments.

All That Remains features artwork by two SUNY Oswego art faculty members, Peter Cardone and Christopher McEvoy. While each artist explores themes of slippage, memories , and the push pull of reality, their artworks engage these concepts in ver y different ways.

Cardone’s photographic series depicts the Ligh thouse at the H. Lee Maritime Museum and scenes of Lake Ontario. The images of the Lighthouse are devoid of people or living things. They feature limi nal interior spaces with views of the lake shown through another frame such as a door or a window. Other works look down on the water from a higher va ntage point framing the view with bits of roof, gutter, and railings. Cardo ne says, “The photographs simultaneously generate feelings of presence and absence. Standing by the water, I feel grounded in a particular place and t ime. Yet, as I look out, I am untethered from the present, tracing the wate r’s path to memories of other lakes, oceans, places, and people.”

Christopher McEvoy’s abstracted paintings inhabit the gap between percept ion and imagination. His large paintings are heavily layered with organic a nd geometric components. These forms overlap, fuses, and create conflicting linear perspective. This evokes a feeling of falling apart and coming toge ther simultaneously. McEvoy says, “These aren't paintings about confusion b ut consciousness. In fractured moments and invented landscapes, I witness m y own daily negotiations with meaning—the constant work of assembling coher ence from fragments.” This event was importe d from: https://iheartoswego.com/60038/all-that-remains-poetry-reading-and- art-talk.html?tmpl=componentDTSTAMP:20260613T154327 DTSTART;TZID=America/New_York:20251028T163000 DTEND;TZID=America/New_York:20251028T173000 SEQUENCE:0 TRANSP:OPAQUE END:VEVENT END:VCALENDAR